alecm

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Last Notes

2025-01-24 09:37:23 UTC

“deepseek r1 has an existential crisis” | …more fuel for the upcoming “Open Source LLMs on Raspberry Pi’s are a National Security issue” crisis
Further to my posting from yesterday: I’m very much in favour of people publishing AI models & individuals being free to use them at home, but if the attached sort of thing happens, it’s clear there will be an enormous brouhaha about “are models free speech or should they be controlled for [reasons]?”
I look forward to French models complaining about British and American food.
https://twitter.com/benhylak/status/1882521144827531333 ⊞
#ai #china #deepSeek #llm #raspberryPi #tiananmen

2025-01-22 15:14:23 UTC

Shallow Deepfakes circumvent legal/licensing issues streaming Australian Tennis … as done by the *organisers*
We should call this what it is, and it’s fascinating: using “live deepfake” technology is used to re-skin actual tennis players as Wii animations, so it’s not really “their” tennis-match being streamed to YouTube. Goodbye, licensing issues.
Where are the anti-AI, anti-Deepfake activists?
Tennis Australia has transformed the world’s best tennis players into animated versions of themselves in an ingenious effort to bypass broadcasting restrictions at this year’s Australian Open.
https://www.espn.co.uk/tennis/story/_/id/43432686/australian-open-wii-animations-tennis-players-youtube
https://twitter.com/TrungTPhan/status/1881916067100156128 ⊞
#ai #deepfake #tennis

2024-12-24 12:26:28 UTC

Media is flooded with complaints about AIs being trained on images or text & roughly reproducing them; meanwhile in the (human) music industry for the past 100 years…
https://en.wikipedia.org/wiki/Sound-alike
A sound-alike is a recording intended to imitate the sound of a popular record, the style of a popular recording artist, or a current musical trend; the term also refers to the artists who perform on such recordings. In the voice-over world, it may also refer to those who recreate the voice and vocal mannerisms of a given celebrity’s vocal performance (see also impersonator).
Sound-alikes are usually made as budget copies or “knockoffs” of popular recordings. The cost of writing and recording a new song that sounds similar to a popular song is usually negligible compared to the cost of music licensing for playing the original recording or the royalty fees to record a cover version. If the sound-alike recording is dissimilar enough to avoid infringing the original writer’s copyright, the user of a sound-alike can evoke the spirit of a song, or sometimes make listeners believe that the work being played has been recorded by a particular artist, without the expense of engaging a highly paid artist.
A cover version is sometimes referred to as a sound-alike, but in the stricter sense, a sound-alike must contain differences that are significant enough to suggest to a listener that those recording the song sought to perform a work different from the work to which it sounds similar. A recording intended as an interpretation of a work is not a sound-alike; it is a cover version, for which many countries require licensing for any performance or distribution.
Sound-alike recordings have been used in movie soundtracks and radio and television commercials since their origin, while sound-alike artists have long recorded jingles and other musical material for commercial use.
Sound-alike albums have also long been issued by small, budget-minded record companies, as a way to cash in on the popular artists, movies or show tunes from hit plays currently in style. Lou Reed began his recording career working for one such company, Pickwick Records, but years later became a star in his own right, as an original performer. Other such companies were Hit Records of Nashville, Tennessee and Embassy Records of the United Kingdom. Bell Records of New York City also issued sound-alike budget records in the 1950s. Madacy Entertainment also releases sound-alike albums under the title The Countdown Singers; Drew’s Entertainment currently releases sound-alikes through the name “The Hit Crew”.
Sound-alike albums have been known to chart. In 1971, the sound-alike album Top of the Pops, Volume 18 reached No. 1 on the UK Albums Chart. A medley of sound-alike recordings of Beatles songs recorded by the Stars on 45 reached number one on several national charts in 1981. On February 3, 2012, a sound-alike version of the will.i.am track “T.H.E. (The Hardest Ever)” by “Kings of Pop” was available for download before the release of the original, and entered the UK Singles chart at number 40, the first cover to do so. Other sound-alike covers of “Whistle” by Flo Rida and “Payphone” by Maroon 5 have also entered the top 40. In 2011, The same week Sak Noel’s single ”Loca People” reached #1 in the UK Official Charts, a sound-alike version by CDM Chartbusters reached #55 on the charts.
Many of these sound-alike versions of popular songs available on download sites continue to generate strong download sales prior to the release of the original song.
Read the whole thing, it’s amazing. https://en.wikipedia.org/wiki/Sound-alike
⊞
#1 #55 #ai #copyright #llm #music #soundAlike

2024-06-13 20:18:06 UTC

On the new Dutch Intelligence and Security Law | Bert Hubert’s writings
So apparently the Dutch government decided to pass oversight of their surveillance to a new committee and then failed to hire anybody onto it:
https://berthub.eu/articles/posts/dutch-intelligence-and-security-law/
⊞
https://alecmuffett.com/article/109919
#Netherlands #surveillance

2024-05-17 08:27:11 UTC

India’s butter chicken battle heats up with new court evidence | Reuters
This is culinary high drama:
https://www.reuters.com/world/india/indias-butter-chicken-battle-heats-up-with-new-court-evidence-2024-05-17/
⊞
https://alecmuffett.com/article/109833
#butterChicken #curry #foodie