Event JSON
{
"id": "b6cd5568b2e8b1f6727ffc5582654d6f17962f183b6c9fc56177c8f4f8892454",
"pubkey": "46347dca6ff93520a9d19ca872984953e55efb494703d1115017382139323915",
"created_at": 1725640498,
"kind": 1,
"tags": [
[
"t",
"indigenous"
],
[
"t",
"nevada"
],
[
"t",
"longreads"
],
[
"proxy",
"https://journa.host/@Toastie/113091575678447896",
"web"
],
[
"proxy",
"https://journa.host/users/Toastie/statuses/113091575678447896",
"activitypub"
],
[
"L",
"pink.momostr"
],
[
"l",
"pink.momostr.activitypub:https://journa.host/users/Toastie/statuses/113091575678447896",
"pink.momostr"
],
[
"-"
]
],
"content": "When land artist Michael Heizer began working on 'City,' his 1.5 mile long concrete and rock sculpture in rural #Nevada, it was 1970. Few Americans had a problem with building a monument in the middle of the desert. But in 2022, when it was complete, 'City' debuted into a different world: a greater understanding of #Indigenous genocide and colonialism stoked criticism of the work’s sociopolitical context and questions about its own message concerning land. \n\n#LongReads \n\nhttps://www.hcn.org/issues/what-to-make-of-land-art-in-the-era-of-landback/",
"sig": "f3b29216d05e63a9dd35dda703cf3193df678b35f7e9725f1e50f06b9115a1683052f8fda78d34e3b6274efe85acff92672632a71ddf38da1a7d5dfd53364e2c"
}