Ah yes, the world of visual and tactile art has always been a bastion of political neutrality, reserving its focus strictly for the aesthetic.
White european men, in particular, would never create large anti-war protests, let alone question the nature of "art" itself.
They'd be more sensible, and stick to politics-free subjects, such as prominent white men in whose hands large amounts of wealth has been concentrated, and their displays of said wealth and its associated power.