“I am interested in late plays,” says director Tamara Harvey, as she settles into a seat in the gracious wood-panelled rehearsal room of the Royal Shakespeare Company’s Swan Theatre. “Something happens in some writers where they’ve had their big hits and they get to a point of devil-may-care — you can feel a confidence and a defiance in the writing.”
https://www.ft.com/content/54a23ba4-7308-4cfc-b9b7-2e04f5afd123
Thiago Carvalho /
npub1xa…czham
2024-07-20 08:59:12
Author Public Key
npub1xakev87fgm9edqu6f5jhszwunekjxl3dpnq4sxvm3nzu2ace8xnqyczhamPublished at
2024-07-20 08:59:12Event JSON
{
"id": "dc290bb755d4a1b73ef8eabfd765e8a2f448aa8b7888e71e46cb458006d46454",
"pubkey": "376d961fc946cb96839a4d257809dc9e6d237e2d0cc158199b8cc5c5771939a6",
"created_at": 1721465952,
"kind": 1,
"tags": [
[
"proxy",
"https://qoto.org/users/cyrilpedia/statuses/112817992658271055",
"activitypub"
]
],
"content": "“I am interested in late plays,” says director Tamara Harvey, as she settles into a seat in the gracious wood-panelled rehearsal room of the Royal Shakespeare Company’s Swan Theatre. “Something happens in some writers where they’ve had their big hits and they get to a point of devil-may-care — you can feel a confidence and a defiance in the writing.”\nhttps://www.ft.com/content/54a23ba4-7308-4cfc-b9b7-2e04f5afd123",
"sig": "93debbe6b6f78373cd57268cf31bf005feac88c280ae8f72722339de2c2150204929b5e533ec3e9262c03ce93d664a1f9e696d0d0129f04745b1a69e9f986deb"
}