I was meeting with nprofile1qy2hwumn8ghj7un9d3shjtnyd968gmewwp6kyqpq56jj3dq64aqjydhtt3e4trmdprdm4x2vs7dj5f6fuwh3py5ge8vsyuj074 (nprofile…j074) last week and, naturally, we veered off on a tangent about our favorite shared interest: all things Linotype.
My focus has generally been “American” Linotype (i.e. Mergenthaler Linotype Co. or MLCo.), and the types developed here under C. H. Griffith’s direction.
But I was lamenting that some interesting typefaces cut at “British” Linotype (i.e. Linotype & Machinery Ltd. or L&M), under the direction of Walter Tracy, seem to have never made it over to this side of the Atlantic.
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