>Writing for the New York Times, Calum Marsh said: "Logan, who also wrote the screenplay, feels so averse to engaging with the thorny political implications inherent in this material—of having to negotiate a cast of gay, transgender and nonbinary characters in a horror context—that the whole thing winds up seeming rather tame."[15] Peter Debruge of Variety wrote: "It's so committed to affirmational messages about queer identity not being a choice, a condition or a legitimate motive to get axed by a deranged serial killer that the movie all but forgets to be scary"
to be expected
meso
npub1nn…vg06r
2024-08-19 15:20:00 UTC
Author Public Key
npub1nnf2hc4m20tc7tc4xrdjk3lpa23p375rnrfdgmkn72zwuythz6us9vg06rSeen on
wss://relay.momostr.pinkPublished at
2024-08-19 15:20:00 UTCEvent JSON
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"content": "\u003eWriting for the New York Times, Calum Marsh said: \"Logan, who also wrote the screenplay, feels so averse to engaging with the thorny political implications inherent in this material—of having to negotiate a cast of gay, transgender and nonbinary characters in a horror context—that the whole thing winds up seeming rather tame.\"[15] Peter Debruge of Variety wrote: \"It's so committed to affirmational messages about queer identity not being a choice, a condition or a legitimate motive to get axed by a deranged serial killer that the movie all but forgets to be scary\"\r\nto be expected",
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